Most notably like Ghostface’s stone cold classic Supreme Clientele (and other Ghostface releases), Twelve Reasons To Die is based around narrator/main character/alias Tony Starks, played by Ghostface himself. Yet they refuse to make him a “made man,” and half-way through the first verse on the second track, Starks leaves the DeLucas, tired of not getting his. Twelve Reasons to Die is a straightforward concept album, and it’s very well done. joining up with Adrian young, ghostface and him craft an amazing story with incredible lyricism and production, each track going into precise. Ghost's raps are more Staten Island than Sicily. In his character design, the record hunter is wearing a faded white T-shirt and worn-out jeans. Here, he presents Ghostface Killah’s universe as one that’s modern and stylized to the point where the former Wu-Tang pioneer might even attract young Quentin Tarantino (or Django Unchained) fans. Twelve Reasons to Die is a music that you never get tired of listening. It is what it is, but if you’re willing to go to a meta-level, the album also works nicely as something of a loose and extremely violent metaphor for Ghostface’s real-life career. Ghostface Killah & Adrian Younge continue their collaboration series with "Twelve Reasons to Die II" except this time the story takes palce in New York City (Raekwon plays his enemy & features on most of the tracks). Ghostface calls upon most of the remaining Clan members, switches the formula occasionally and hey presto, yet another minor Wu-Tang classic 20 years on from their debut. Realizing his life is hanging by a thread, Migdal is having doubts about whether he should continue with his mission. “The Stand”: Alexander Skarsgård is The Man in Black in Full 2-Minute Trailer for New Stephen King Series, [Review] “The Haunting of Bly Manor” Takes on Gothic Romance with Captivating Remix of Henry James’ Horror Works, [Nightstream Review] Sarah Paulson-Starring ‘Run’ Brings Hitchcockian Suspense to Familiar Thriller, [Nightstream Review] ‘The Doorman’ Baffles with Bland Action Thriller Cliches, ‘The Estate’ Teaser Trailer Sets the Stage for Murder [Exclusive], ‘Halloween: The Missing Years’ Would’ve Explored Where Michael Was During ‘Halloween III’ [Phantom Limbs], Why Non-Halloween Movie ‘Pumpkinhead’ is the Perfect Halloween Movie, How ‘The Crow’ Became the Perfect Superhero for the Halloween Season. Ghostface's usual penchant for free-associative wordplay is a bit hemmed in by the structure, but he gets plenty of help to ensure the storytelling remains compelling. Symbol hits, brooding guitars and choral backing dictate the scene when Starks feels the walls pressing in. If Twelve Reasons to Die is a comic, then its sequel is the cinematic adaptation or a reboot of the franchise; the source material is the same, but the execution is tightened in places. ghostface once again gives us another solid album. But even in two dimensions, Ghostface is a phantom force to be reckoned with. A near-perfect pairing of crime and horror, “12 Reasons To Die” #1 pieces its story together with such bloody images. While the LP rarely rarely transcends its concept album world, I can’t point to a bad song on the record. In 2020, this site will exist as an archive to more than 11,000 posts on music, including over 1,000 album reviews.


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