Written by Aleksandr Dovzhenko, N. Simonov.
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Starring: Stepan Shaigaida, Sergei Stolyarov, Stepan Shkurat, Evgeniya Melnikova. What is now the territory of Russia has been inhabited from ancient times by various peoples, and as such the country has gone through…. Sound: Nikolai Timartsev. Then follows an absurdly impressive aerial sequence with hundreds of airplanes coming in, flying in formations, great aerial photo, beautiful filming (by the great Eduard Tisse) and editing, soldiers parachuting out to aid the building effort, all to the sound of a blaring propaganda song sung by what sounds like the red army choir about the magnificent Aerograd. Historians have found Stalin’s handwritten notes where he has himself written cute little lyrics about how a happy melody cheers the soul for some of these films. But on the other hand, Vasili’s death is played out with such a sadness that you can’t help but feel frustrated over the pure radicalism of Stepan’s political conviction – is any political cause really worth killing your brother over? Change ). A daunting, but visually stunning, piece of bolshevik propaganda, Alexandr Dovzhenko’s 1935 film Aerograd is basically an operatic Soviet version of a John Wayne frontier film. Dovzhenko was by this time regarded as ”the poet of the screen”, and his Ukraine trilogy consisting of Zvenigora and Arsenal (1928), as well as Earth (1930), had made him famous outside the Soviet Union as an artist on par with masters like Sergei Eisenstein, Vsevolod Pudovkin and Dziga Vertov. Dovzhenko directing the film Ivan in 1932. Work on the new outpost is complicated when tensions develop between workers and a religious sect. Cinematography: Eduard Tisse, Mikhail Gindin, Nikolai Smirnov. Aerograd.
And then he curses the Bolsheviks for claiming the land for themselves – and their stupid ideas of ”equality” and ”the people”. This sets the tone of the film, and the rest of the plot really can be skimmed through. IMDb: 6.3/10. The beauty of it is that since it is played with such a straight face, never flinching from the operatic quality of the heavy-handed propaganda, it can really play both ways. The Old Believers are here portrayed as enemies of the Soviet Union, conspiring with the evil Japanese to prevent the building of Aerograd.
Stepan declares: Not only did the government take control of the film industry, just like in Nazi Germany.
Aerograd. Song lyrics: Viktor Gusev. – Here, he says, and stops, reassembling his clothes, preparing to die with dignity. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... No silent movie has ever won an Academy Award. He also studied painting under German Expressionist Erich Heckel. The way it is filmed makes it feel not like reality, but like a fable, a parable, an opera – or indeed like a satire, if one views it that way. Not much sci-fi in this vaguely futuristic tale, but a treat for lovers of poetic cinematography.
– And you are right about your death penalty, he then informs him, his bearlike, collected Soviet masculinity in stark contrast to the despicable gook. The pacifist epic Arsenal questioned Stalin’s violent methods in Ukraine, and Earth was – at least superficially – a love song to the collectivisation of agriculture. – Give it to us! And most of all he loved westerns – especially those by John Ford starring John Wayne.
Science Fiction and Other Suspect Ruminations.
"Aerograd" is the name of a new Soviet outpost on Pacific coast near the mouth of Amur river. Zvenigora (1928), his first important film, is a lyrical history of the Ukrainian people from their Viking origins to the Russian Revolution; Arsenal (1929) deals with a hero of allegorical stature confronted with the forces of the Revolution; Zemlya (1930; The Earth) interprets in sensitive visual symbolism the almost mystical closeness of the Ukrainian peasant to his land. (5/10) A daunting, but visually stunning, piece of bolshevik propaganda, Alexandr Dovzhenko’s 1935 film Aerograd is basically an operatic Soviet version of a John Wayne frontier film. USSR, 1935. No matter how you look at it, it is a daunting, slow and grinding propaganda film with racist undertones. It is like a fantasy, a utopian dream, that people fight over, that the protagonist kills his best friend over, that nations and people kill each other for. Aleksandr Dovzhenko, in full, Aleksandr Petrovich Dovzhenko, (born Sept. 11 [Aug. 30, old style], 1894, Sosnitsy, Ukraine, Russia—died Nov. 26, 1956, Moscow), a motion-picture director who brought international recognition to the Soviet film industry during the 1930s. In one of his discussions he ”suggested” that Dovzhenko get his ass out of Ukraine and into Siberia and make this film, and ended the discussion as he usually did. The film in question was the rather influential The Andromeda Nebula, where Stolyarov played the heroic character of Dar Veter – sometimes credited for inspiring George Lucas to name his Star Wars (1977) villain Darth Vader.
With a script like this, any director trying to make a modern – even by the standards of the day – film would have failed disastrously. Change ), You are commenting using your Twitter account. Josef Stalin, on the other hand, considered himself not only the greatest film critic ever born, but also the greatest movie maker ever born. Frontier (original title Aerograd ("Air City")) is a Soviet 1935 B&W drama, directed by Aleksandr Dovzhenko. All three films drew heavily on Ukrainian history and folklore, and although they did fall into the vein of Soviet propaganda, they added a healthy dose of system critique and Ukrainian nationalism to the pot. In the thirties she started co-directing films with her husband, and later went on to become a prominent director in her own right.
But what, asks, Dovzhenko, are we willing to do in order to realise these dreams? Two get away, but Stepan manages to find one eventually – and he is a pitiful sight. – I am about to kill a traitor to the people, my old friend, Vasili Khudyakov. Our editors will review what you’ve submitted and determine whether to revise the article.
Emotional intensity and mystical symbolism often took precedence over narrative structure in his films, many of which concerned the Russian Civil War (1918–20) and the
Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Aerograd&oldid=966409194, Articles lacking in-text citations from February 2016, Articles containing Russian-language text, Articles with dead external links from September 2019, Articles with Russian-language sources (ru), Creative Commons Attribution-ShareAlike License, This page was last edited on 6 July 2020, at 23:37. Dovzhenko, Oleksander [Dovženko], b 10 September 1894 in the village of Sosnytsia, Chernihiv gubernia, d 25 November 1956 in Moscow. ( Log Out / In 1935 he produced Aerograd.
Everybody who was somebody in the Soviet film industry had to sit around and listen to the judgement from the supreme leader, eagerly taking notes.
Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905. – I have hunted you for eight workdays, and now I see that it was worth it, Stepan muses. But all this proclaiming, the occasional breaking of the fourth wall and the long, persistent shots are also what ultimately makes the film a success. The long, uninterrupted forces the viewer into contemplation, and one almost feels like falling into the lush, majestic forest, that becomes a character of its own in the movie. Small and wily, with bulging eyes and spectacles, sweating and panting he starts tearing at his clothes when he is cornered, like a wild animal, informing Stepan that he does not care if he is killed, since he has planted dynamite in a mine.
It is an interesting deviation from form, and as such a curiosity, and, as said, has its merits. Along with Lev Kuleshov, (The Death Ray, 1924, review), Dziga Vertov (Man with a Movie Camera, 1929) and Sergei Eisenstein (Battleship Potemkin, 1925), he was considered as one of the pioneers of the Soviet montage theory, and often laboured with quick, hypnotic editing, bold camera moves and unusual angles. But dissent brews within the community, which also consists of a group of ”Old Believers”. Aerograd was not a film of his choice, and the Siberian setting saw Dovzhenko out of his comfort zone.
A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese in this patriotic film from 1935. Up until this point in his career, Dovzhenko had made his films in Ukraine, and infused them with Ukrainian history and folklore. Change ), You are commenting using your Google account. His next project took nearly four years to complete. Music: Dmitri Kabalevsky. Sergei Stolyarov and Vilja Artmane in the 1967 film The Andromeda Nebula. Starring: Stepan Shaigaida, Sergei Stolyarov, Stepan Shkurat, Evgeniya Melnikova, G. Tsoi, N. Tabusanov, L. Kan, I. Kim, Boris Dobronravov, Yelena Maximova, Vladimir Uralsky. In 1932, Dovzhenko directed the film Ivan, one of the first Soviet sound films.
Film director. Vladimir Uralsky, in a prominent supporting role as one of the partisans, also had a small part as a soldier in the 1924 sci-fi classic Aelita (review). He began his film career in 1926, making his directorial debut with the short subject Yagodki lyubvi (1926; “The Fruits of Love”). Aerograd (Russian: Аэроград, also referred to as Air City or Frontier) is a 1935 Soviet adventure film by Ukrainian director Alexander Dovzhenko, a coproduction between Mosfilm and VUFKU.It is an adventure story set in the Soviet Far East in the future. Stalin loved film – he was crazy about film. Stalin sent Dovzhenko to the Siberian taiga to make 1935's Aerograd (Air City), which was released in the United States as Frontier.
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