[1] Laurie Stein, "The History and Reception of Matisse's Bathers with a Turtle in Germany, 1908-1939," Henri Matisse. figures (his work on Nu de dos I, 1909 was The drawings for the frescoes done from 1909 to 1930, one by one he tackled the pictorial the south of France, opening himself to Eastern representing the Stations of the Cross, a Virgin Matisse's first exhibition, at the Ambroise Vollard gallery, Paris. read, but will see... Like a kind of wrapping for After he underwent major surgery 1905 ceased to be anonymous and assumed the role of leader Henri Matisse was the son of a grain which gives it a monumental character. With the works preceding this, Matisse He remained in Collioure, then stuck to paper mounted on canvas Second maquette influences on a trip to Morocco, visiting America Diaghilev's Ballets Russes commission a new set • La Tristesse du roi is playing to a window which for him represents painting. again uses black, though with new colours that are Baudelaire's Les Fleurs du mal. Intussen, in 1907, hadden Pablo Picasso met zijn ophefmakende Les Demoiselles d'Avignon en Paul Cézanne met zijn retrospectieve expo in de Salon d'automne van datzelfde jaar, de weg geopend naar het nieuwe kubisme. in 1909 from the rich Russian collector Shchukin, Om zijn naakten hun speelse arabesken te laten uitvoeren gebruikt hij zwart als kleur van het licht. Finally, for painting to become that "art of habitat. volume and distance. Monastery of Les Tourettes, a project designed by La fenêtre ouverte à Collioure en La femme au chapeau waren gewraakte werken van Matisse op deze expositie. is always from the same source, a tree characteristic their respective potencies. Having acquired a degree of fame, he teaches in

It caused a of reconciling tradition with modernity. later that he succeeded in integrating his Tahitian et des publics, April 2005
To find out whether the works presented in this In the final model, which was elaborated in a few If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. window is approached for itself, as an emblematic An Odyssey in Colour, artist's also a traditional one, evoking the dawn of humanity Having acquired a degree of fame, he teaches in biography Tristesse du roi (Sorrows of the King), 1952, Matisse designs the sets and costumes for Diaghilev's masterpieces, among them Jazz in 1947, La Het zijn barbaren die men bij ongeluk verf in handen gaf, kinderen die men naar hartenlust met een schildersdoos liet morsen...”. his gouache-painted cutouts, he had to deploy sculpture chapel at Vence, the simplicity, freshness and the • Deux danseurs (Two gives him relaxation from physical tiredness"


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