Greetings, good fortune has allowed me the opportunity to ask Toni Oswald some questions about The Diary of Ic Explura album, A Love Letter to the Transformer. In the end, Frusciante became just another talented musician who plunges a needle in her arm every few hours - between playing and painting, between reading and writing, between preparing a new album and find a new home between the living and dead these days lists labels are once again stored with men and women just like Frusciante, although publicists to hide their habits artists. If all this were not enough, he was kicked out for not paying rent, was even threatened by drug dealers to whom he owed money (had a moment he came to owe $ 30,000 to your dealer so he had to borrow money to not be killed). Her nails, or spaces that used to have nails are black because of the blood. I am not completely stuck to my vision at all, except maybe in a left brain way. This website is for research and educational purposes only, and is in no way affiliated with the Red Hot Chili Peppers, their management, or their record label. When he leaves his home two hours later we were in shock, about how John was inside, the blood on his shirt, his teeth were very bad, the scars on his arms ... it was an experience find it very emotional in that state. Find Toni Oswald's phone number, address, and email on Spokeo, the leading online directory for contact information. That is a really terrific album and you pay tribute in the liner notes to both Genesis and Robert Fripp. Toni is good at editing the big picture and I’m good at myopic little things. It is an experimental piece with influences Marchel Duchamp and Salvador Dali. View Photos. In the living room of his mansion had CD's, cigarettes, bottles of water and alcohol, among other things scattered on the floor. People! 44% of these people are married, and 56% are single.

Earlier I fought him. We just knew we wanted him to play on the record, so we got him to do some drumming for “Invocation of my Demon Sister” as well as “When I was 7, I met Marcel in a Dream.”  He is a wonderful musician and wonderful friend. I do not know where he got. Sometimes we argue about things, particularly if one of us is very passionate about a particular idea and then we love each other and respect each other enough to go with that person’s vision at that moment. RIP Mr. Bowie, you really are a starchild, hold now, dancing Toni: The album was recorded at all hours actually. I am of the mindset of wanting to see what happens and where something might take you rather then always going with your own idea of how things should go. Well, those would be neighborhood dogs.

Toni is one of the only birds I know who digs Genesis, so we often used the colors and aesthetic of The Lamb Lies Down On Broadway (seeing as how it’s a concept record too) to help us get this stuff down.

Quit hoping and be who you are marches of the “bodies without organs” collective, Make tiny beasts "The media was so intense. The story here is that when Ic lands on the transformers planet, there is a magician of sorts who teaches her how to communicate only through sound, so these are her lessons. I learn a lot from him and he really inspires me to push myself and get my vision across.

But unlike people who have ideas in the middle of a night session, they came three days later with a team and filmed and edited.

Frusciante was the wunderkind guitar player of the newly popular rock group Red Hot Chili Peppers, capable of playing along with Zappa's or Hendrix's most complex works. And he said: "Well, we'll edit it Wednesday somewhere in the St. Monica Boulevard and I think we have room for your music.". Was devastating. I’ve been absorbing that book for a while now. I use The Burroughs/Gysion cut-up method a lot as well for writing lyrics. Something interesting and that the front and back covers of "Niandra Lades And Usually Just a T-Shirt" are both scenes of a movie called, "Desert In Shape" conceptual film written and directed by friend and ex-girlfriend of John, Toni Oswald . Born today November 6th - I'm Every Woman! The argument could be made that limitations actually help people to engage deeper and work longer and harder to get it right from the get-go. Hehe, we recorded parts of the “Valley of Tears” trilogy inspired by his use of strange things to make interesting sounds, for instance hitting fist on a slab of meat to get a sound he wanted for a song about Mussolini and his mistress being hung in the streets.

again now. I work very spontaneously for the most part. River Phoenix dies at the club the same night. Throughout the year is homeless, living in Toni Oswald's car, as also mentioned in the Greatest Hits liner notes. This is the creative act and it is something I am doing in my life as well all of the time. You cannot see the full story without all of the parts. On the first album Josh and I had a stack of books and would randomly pick one and then pick numbers out of hats and go to the corresponding pages in the books and whatever emotional description we first looked upon we would use as a starting point to a feeling we wanted. I don’t know anything about a spray paint can.

I can not imagine that happening. Toni carrying the burden of guilt, along with your pain. Well, I may put it online at one point and people can pay-a-few-bucks-and-then-watch-it kind of thing, or maybe for 10 bucks you can download it. She feels abandoned him when he needed help. It is a world I’m very familiar with. Was supposedly newly sober. The Mirrors in Him – another great track! Writing and arranging began in Nevada City where we used to live. Collage and writing by Toni Oswald Copyright 2016, HOW TO DISCARD THE LIFE YOU’VE NOW RUINED, Remove the Toni: All of the lyrics on the album are very visual to me and I can see the places very clearly in my imagination, but I think that is because the piece started as a storybook and so it is all mapped very clearly for me.

photos, Toni Oswald Boulder, Colorado, United States Trying to make sense of this fantastical world~ This is a diary style notebook of musings on pretty much anything that occurs to me~ All art, collage and writings on this blog are mine, except where noted* not to be used without permission. Won’t interpose the abyss?” Are the synth parts through out the first two songs divided between you and Josh, or just you? She had a good impression of him at first.

Essentially, yes. The second best result is Toni Roxanne Oswald age 50s in Boulder, CO. I like to try a lot of different routes if you know what I mean.

I have been enamored with the bass on “Back In NYC” for many years now, and I just couldn’t resist using a one note bass line in 7 for that particular song. Released in 1994 by Birdman, Rick Rubin record sold 15,000 copies. ". Phoenix had been on a drug binge with John in the period leading up to that night.Later in the year - electrical fire in the house at 8505 Hollywood Boulevard. Toni: To add to the less is more argument, I just wanted to say that having less stuff (music gear, in this case) encourages one to think outside of the box and be inventive about things. In no way are we trying to glorify or romanticise John's mental illness or drug use. This really fucked my head.

And I said no and he suggested Ants, and I said it could be. I would have a feeling in my head relating to the story and Josh and I would play around and find something that resonated to that. In alchemy, the “negrito” comes first, before the gold.

Could you tell us about this? Basically, everything we recorded ended up in Logic. [Guitar One, August 1999]Later in the year - recording session at Jimmy Boyle’s studio. Having said that, the lyric is the character having come to that conclusion through her experience of transformation, which is also my own experience as well, as Ic is an alter-ego of sorts. I do love that song though — lyrically, you have some very nice imagery, would you say that you can see this song as clearly as it is described? Toni is also involved in a collaboration project with Chris Oliver Sounds. tomorrow. Before the rise of the Red Hot Chili Pepper to stardom, Toni Oswald was already a close friend of Hillel Slovak, original guitarist of RHCP. On the track A Serious Dream, was the classical sounding part in the middle done with a keyboard? But even though I have been bothered with it, the thing was taken in good mood. For a long time he lived in close proximity to death, producing a haunting song transcendental, which confused the mainstream and thrilled the underground. Prior to my hearing any of Max and Toni’s collaborative efforts, I had already become familiar with portions of his musical output, and most notably for me his wonderful song “Wild Strawberries.”  Within that song I heard a wonderful depth and sincerity that I often seek in my own completion via music, a goal I feel I’ve yet to achieve.

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